Over the years, Michael Flaherty has introduced a number of experimental techniques to his work, like tinting canvases with colored smoke and gunpowder burns, or hosting live-painting performances set against ambient soundscapes of his own composition.
It’s in this spirit of experimentation that he began collaborating with Professor George Wolberg, an artist, engineer, and inventor, whose pintillism technique handcrafts bold, dimensional images from fields of small, galvanized metal pins.
On the surface, Flaherty’s colorful, figurative work might seem at odds with Wolberg’s careful studies in light, shadow, and density. But in these collaborative pieces, the artists seamlessly fuse their different approaches to texture and detail, playing with audience perspective to create images that leap off the walls in keen and surprising ways.
This series of canvases highlights two of Flaherty’s most common subjects: birds and isotype hearts, based on his self-designed tattoos. It is Wolberg and Flaherty’s first collaborative series, but the two artists continue to experiment with new ways of blending their distinctive styles.